About Martha Rosler
Martha Rosler works in photography, video, performance, sculpture, and installation. Her work often addresses matters of the public sphere and landscapes of everyday life—actual and virtual—especially as they affect women. Rosler’s photographic series on places of passage and systems of transportation—airports, roads, subways, streets—have been widely exhibited. Rosler has for many years produced works on war and the “national security climate,” connecting everyday experiences at home with the conduct of war abroad. In 2004 and 2008, in opposition to the wars in Afghanistan and Iraq, she reinstituted her now well-known series of photomontages House Beautiful: Bringing the War Home, originally made as a response to the war in Vietnam in the late 1960s.
“Beginning a conversation through art provides symbolic closure but does not relieve us of the necessity to keep on informing, organizing, audience building, and agitating.” – Martha Rosler
Rosler has had numerous solo exhibitions at museums and galleries internationally. In spring 2012, her solo photo exhibition Cuba January 1981 opened at Mitchell-Innes and Nash in New York City. In November 2012, she presented her performance-installation Meta-Monumental Garage Sale at the Museum of Modern Art, New York, the most recent of a series of Garage Sales she has held in and around art galleries since 1973.